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Amana Finishes
Nine pigments

The Amana fan deck.

Not a paint line, a working shortlist. These are the colours we specify most often across the GTA, chosen because they hold up under Toronto light specifically: low-angle in winter, overcast for five months, and cooler than the light your paint chip was photographed under.

01The deck

What each one actually does.

Hex values here are indicative for screen. Colour on a screen is not colour on a wall, always test physically before committing.

02Testing

The chip lies. Test properly.

This is the single most expensive mistake in residential painting, and it costs nothing to avoid.

  1. 01Buy sample pots, not chips. Two coats, on primed card, at least A3 size, larger is better.
  2. 02Paint boards rather than the wall, so you can move the sample around the room and hold it against the trim and the floor.
  3. 03Leave a white margin around each sample so the existing wall colour does not contaminate your perception of it.
  4. 04View at three times: morning, mid-afternoon, and after dark under your actual lamps. Artificial light at night is where a lot of colours fall apart.
  5. 05Compare candidates side by side. Undertone is a relative property and it is almost impossible to see in isolation.
  6. 06Live with it for at least three days. First impressions of colour are unreliable and they reliably change.
03Questions

Choosing colour, answered.

Why does paint look different on my wall than on the chip?

Three reasons compounding. Scale, colour intensifies as area increases, so a subtle chip becomes a saturated wall. Lighting, store lighting is nothing like your window light or your evening lamps. And surrounding colour, your floor, trim and furniture bounce their own tint onto the wall, which a chip in your hand never experiences. Large sample boards viewed in the actual room at several times of day are the only reliable method.

How many colours should I test?

Three to five per room, no more. Beyond five, comparison gets harder rather than easier and most people end up more confused than when they started. Narrow the field with chips, then commit to proper large sample boards for the final few. Testing only two is usually too few, because undertone is a relative property that becomes visible only in comparison.

What is LRV and why does it matter?

Light Reflectance Value runs from 0 to 100 and measures how much light a colour reflects. It is the most useful single number in colour selection and almost nobody uses it. Above 70 reads as light and bounces light around a room; 50 to 70 is mid-tone; below 50 is genuinely dark and will absorb light. For a basement or north-facing room, look for LRV above 60 to keep the space from feeling closed in.

Should the whole house be one colour?

Not necessarily, but every room should share an undertone family. Warm neutrals throughout, or cool ones throughout, mixing warm and cool wall colours between rooms visible from one another is what makes a house feel subtly incoherent without anyone being able to say why. Within one undertone family you can vary depth and saturation freely.

Colour consultation

Not sure which way to go?

Colour direction is part of the walkthrough at no extra cost. We will tell you honestly which candidates will fight your light and which will hold up through a Toronto February.

  • 1,000+ homes painted
  • Free walkthroughs
  • Fixed written quotes
  • Serving Toronto and the GTA

No obligation. We reply within one business day.